(CLICK IMAGE FOR LARGE VIEW)
Medium(s): Linocut Relief Print
October 12, 2009
- - -
USD Printmaking 1 composition done on a linoleum pad (9 1/2 x 11) with about 5+ hours spent. I was very pleased how this turned out (even though this wasn't my final product paper but a proof done on newsprint). I was inspired, as I've stated before, on the current cultura clash of the Jarawa's on an island off the coast of India as well as the other surrounded tribes that have no real contact with the global world. The Jarawa's however have finally opened up to Indians settling on their land and are no longer hostile but eager to hitch rides from a major highway going through their reservation as well as begging for goods. With a very high level of annoyance and discust from settled Indians, the Jarawas are becoming less and less respected on their own land and their culture is at risk.
This piece reflects the mental impact of them from their now constant exposure to technology, even though they themselves feel no effect from it, so is my thesis of radiation.
"CD" on the forehead of the gas mask represents another image I plan to incorperate more into my works, which stood for the "Civil Defense" in the 1950's that was an organization that planned to be organized and defend the public from possible nuclear attack by arming them with knowledge such as "duck and cover" etc. I have turned that slightly to stand for "Culture Defense" in which obviously the gas mask is to resist radiation of our modern world that is toxic to the cultured person and mentality.
As I have personal cultural concern for the Jarawas, this piece represents all cultured people. Not so much the modernized but those that have yet to be uncontacted, such as the many tribes in Brazil and South America where many have yet to even be discovered, nevermind contacted.
As much as I love the composition as is, as I have said this was but a proof, and I've been having difficulty creating similar, repetative prints. Something I'm sure will come with more exerience in printmaking overall. I have yet to recreate a print similar to this where all my details (done with a thumbtack mostly for the clothing texture) actually are visible repeatively on prints.
Compositionally this was originally just a small time sketch I did that I chose to try out for my class. I'm glad it turned out the way it did and I recieved a lot of positive feedback from professors and peers. I enjoyed working figuratively with printmaking as I do with most mediums, and learned a lot about creating light and reflection as well as textural lines. Overall a piece of work I was content with.